Septembar

Kultura Culture Beograd Belgrade NA I V I C I BUDUĆNOST I ON T HE EDGE OF T HE F U T UR E U Beogradu će se od 13. do 25. septembra održati duplo, 54. i 55. izdanje Bitef festivala, koji prošle godine zbog pandemije nije mogao da se predstavi u punom kapacitetu From 13th to 25th September, Belgrade will host the double 54th/55th editions of BITEF – the Belgrade International Theatre Festival, which couldn’t be staged to its full capacity last year due to the pandemic Tematski fokus 54. i 55. Bitefa, pod sloganom Na ivici budućnosti , biće na konceptu posthumanizma, u kontekstu sveta koji bi trebalo da bude manje antropocentričan. To je vizija sveta nastala, između ostalog, i iz svesti o globalnoj ekološkoj krizi, temogućoj kataklizmi, što su takođe teme festivala. Usko povezan sa tematskim je i estetski (formalni) fokus festivala. On se bavi dehumanizacijom tela izvođača u različitimoblicima – kroz koreografske postupke, svetlosne i video efekte, preko odsustva izvođača, njihovog digitalnog prisustva, do upotrebe robota i dronova na sceni. U glavnomprogramu biće organizovana brojna izvođenja četrnaest pozorišnih produkcija reditelja i koreografa iz Francuske, Belgije, Nemačke, Slovenije, Hrvatske, Srbije, Irana i Meksika, Austrije i Čilea. The thematic focus of the 54th/55th Bitef, under the sloganOn the Edge of the Future, will be on the concept of posthumanism, in the context of a world that should shift to be less anthropocentric. This is a vision of the world that has emerged, among other things, from an awarenessof theglobal environmental crisis andpossible cataclysm, which are also themes of this year’s festival. The festival’s aesthetic (formal) focus is also closely tied to its thematic focus. It addresses the dehumanisation of the bodies of the performers – through choreographic processes, lighting and video effects, via the complete absence of performers and their digital presence, to the use of robots and drones on stage.Themain programme will include numerous performances of 14 theatre productions, with directors and choreographers coming from Austria, Belgium, Chile, Croatia, France, U susret dvostrukom izdanju Bitefa On the eve of Bitef’s double edition

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