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44 | nismobežaliodblagodatisavremenetenologije. Mogli smo da prikažemo ogroman broj filmskihplakata i inserata jermonitori omogućavaju da jedan smenjuje drugi. Naš muzej filma bitan je jer edukuje mlade i sve goste Srbije o razvoju filma od samih početaka pa do kraja 20. veka. Ako vas interesuje kulturanaše zemlje, posebno naša bogata kinematografija, izuzetno jevažnoda se informišetenapravi način i saznate kako se razvijala i sticala atribute po kojima je danas poznata u svetu – kaže Pantelić. Pred publikom će svakodnevno biti Carska panorama, koja je sa ostalim elementima iz predistorije filma na donjem nivou izložbe. Moći ćete da vidite Edisonov kinematoskop, kameru braće Limijer iz 1896. godine, prvu filmsku kameru braće Pate iz 1903... Tu je i štap Čarlija Čaplina, Karl Malden... – Među legatima koje čuvamo u Sobi legata je i onaj KarlaMaldena, koji smo 2016. godineuprisustvuunukeKarlaMaldenaotvorili na inicijativunašegprijatelja Dena Tane. Njegova bista postavljena je dvegodinekasnije jer jetobilaželja inas iz Kinoteke, ali i DenaTane i ZubinaMehte, koji veoma poštuje rad našeg oskarovca. I sada dok mi pričamo, ispred Kinoteke se sa Maldenom fotografišu Beograđani i strani turisti – otkriva Jugoslav Pantelić. Dodaje da je priča o štapu Čarlija Čaplina, koji je izložen na posebnommestu, intimna. –Tapriča imasveatribute intimnepriče kad je u pitanju donator štapa. Na insistiranje darodavca ostaje intimna. Štap je bio lično vlasništvo velikogČarlija Čaplina, dobijen je od njegove ćerke, koja ga je predala našem filmskom radniku, a ovaj Kinoteci – kaže Pantelić. Postavkaobuhvataipredmeteizlegata LjubišeSamardžića, PavlaVuisića,Milene Dravić, DraganaNikolića, ŽivojinaPavlovića i drugih značajnih filmskih umetniers cinématographe camera from1896, the rst lmcameraof thePathébrothers datingback to 1903... There’s also one of Charlie Chaplin’s walking sticks, but also Karl Malden... “Amongthelegacieswepreserveinthelegacy roomis thatof KarlMalden,whichweopened attheinitiativeofourfriendDanTanain2016,with KarlMalden’sgranddaughterinattendance.Abust ofhimwas includedtwoyears later,becausethat was ourwishat theCinematheque, but againalso that of Dan Tana and conductor Zubin Mehta, who has great respect for thework of our Oscar-winner.Andnow,aswespeak,Belgradersand foreign tourists takephotographs of themselves withMaldeninfrontofthecinematheque,”reveals Pantelić, adding that the story of Charlie Chaplin’s cane exhibited in a special place is intimate. “Thatstoryhasalltheattributesofanintimate storywhen it comes to the donor of the cane. At the insistence of the benefactor, it remains intimate. The stickwas a personal possession of the great Charlie Chaplin that was acquired fromhis daughter,whogave it tooneof our lmworkers, and this Cinematheque.” The exhibition also includes items from the legaciesofLjubišaSamardžić,PavleVuisić,Milena Dravić, Dragan Nikolić, Živojin Pavlović and other notable lm artists. Alongside the aforementioned items from the 19th and early 20th centuries, part of the exhibition is dedicated to early cinemas and pioneers of lm in this region, with special emphasisonthe rstSerbianfeature lm, Karađorđe (1911). Apart fromdetailingthebeginnings, this lm museumalsoaccentuates theworldwidedepartures of our lmartists before the GreatWar, the SecondWorldWarandsomeof themost interestingevents inSerbian lm, suchas theblackwave, whichstill represents themost interestingphase ofYugoslav lmin the eyes of foreign experts, to thePragueschool andthegreat successesof our lmmakers, suchasEmirKusturica, toAvalaFilm, wheremajor world co-productions were shot. “Projectionswitha35mmprojectorareararity today, whilewe are also among the fewauditoriums that still playprojections oncellulosenitratetape. InJuneattheFestivalofNitrateFilm, the Carska panorama bila je postavljen na Kalemegdanu The Imperial Panorama was set on Kalemegdan Fortress Štap Čarlija Čaplina poklon od njegove ćerke The Charlie Chaplin’s stick was a gift from his daughter Plakat za Bitku na Neretvi koji je radio Pablo Pikaso Poster for the Battle of Neretva,created by Pablo Picasso

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