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zanimljivo, muziku za igrice. Koliko se ti procesi zanatski razlikuju? –StvaranjemuzikezafilmiTVserije je slično, jer se komponuje u linearnomvremenuuzslikukaoglavnivodič.Video-igre zahtevaju drugačije tehnike komponovanja zato što muzika nema određeno vreme trajanja, već reagujenaonoštogejmer trigeruje u igrici, interaktivna je. Iako već dugo radim na projektima iz primenjene muzike,moramdapriznamdanajvišeuživamdokkomponujemmuzikuzakoncertna izvođenja ili savremenu igru. Iako to zahtevaposebnovreme i izmeštanje izzone komfora, upravo je tomesto gdemože da se rodi umetnost. Na čemu trenutno radiš i kakvi su ti planovi? –KomponujemzapozorišnupredstavuVaseŽeleznova, MaksimaGorkog urežiji ZlatkaSvibenauNarodnompozorištu u Beogradu, zajedno sa koleginicom JanomRančić. Sa timom iz Devotion studija radimna završnimdetaljimamuzike za video-igru Heroic kompanije Nordeus. U okviru SonicTree studijauBeogradukomponujem i orkestriram muziku za igrani film strane produkcije i domaću TV serijukoja će se emitovati naRTS-uovegodine, a uskoro planiram i preseljenje u Los Anđeles kako bih nastavila sa profesionalnim usavršavanjem. “Composing music for video games requires di erent techniques to composition for lm, because games don’t have a de nite duration.” Video-igrice zahtevaju drugačije tehnike komponovanja muzike koja nema određeno vreme trajanja The Epic of Prince Marko Kraljević and the Contemporary Movement. Gusle and ballet. Piano and concert halls, music for lm and games. The common denominator is young, successful composer Ana Krstajić, a creative ambassador for the Serbia Creates platform. After earning a master’s degree at the prestigious Berklee College of Music, you returned to Serbia and created “Marko”, a contemporary dance piece based on the epic poetry of the life of Prince Marko Kraljević. Where did the idea for this extraordinary work come from? “I grew up listening to my grandfather, who used to play songs and sing verses of Serbian epic ballads, so this aesthetic is very familiar tome. Fascinatedby sound, I wanted to bring the richness and creativity of our national epics to younger generations, rebranding the art of epic poetry in a contemporary way, through the sound of a string orchestra and with modern electronic instruments that mimicked the sounds of the gusle. I felt it was only possible to collaborate on a project like this with young artists who are actually from the region and who therefore instinctively understand Serbian epic poetry.” Aswell as composingmusic for concertsandcontemporary plays, you also createmusic for lm, TV serials, TV commercials and, most interestingly, video games. How di erent are these processes? “Creating music for lm or television is a similar process in that both are composed in linear time using the image as the main guide. Video games require a di erent composing technique altogether, because game music has no de nite duration and it responds to whatever the game-player triggers in the game. Although I have been working on applied music projects for some time, I have to admit that I enjoy it even more than composing music for concerts or contemporary plays. Although it requires speci c time commitments and a stepping out of the usual comfort zones, these are precisely the conditions where art can ourish.” What are you currently working on and what are your plans for the future? “I’m composing music for a theatre play by Vashe Zheleznov, MaximGorky, directed by Zlatko Sviben at the National Theatre in Belgrade, together with my colleague JanaRančić.With the teamfromDevotionStudios, I’mworking on the nal details of music for Heroic, a Nordeus video game. As part of the Sonic Tree Studio in Belgrade, I’m composing and orchestrating music for a feature lm and a domesticTV series to be aired on Radio-Television Serbia this year, while I’mplanning tomove to Los Angeles soon,, to continue my professional development.” Odrasla sam slušajući dedu koji je svirao gusle i zato mi je ta estetika bila poznata i bliska “I grew up listening to my grandfather playing music from the epics, so this aesthetic was familiar and fascinating to me

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