38 | Igra» Dance kultura / culture Šara-Nur Koreografija: Marko Geke Ovo nije prvi put da se Marko Geke bavi temomLabudovog jezeraveć je kreirao duet Crnog labuda i valcer iz ovog baleta na originalnu muziku. Još kao dete imao je snimak ove bajke, a poput mnogih baletskih učenika i igrača, upoznat je dobro sa muzikom iz ovog dela. Zbog toga je odlučio da koristi muziku Čajkovskog za komad koji je pripremio za trupu Erika Gotjea. Zajedno sa ansamblommuških igrača, odlučio je da istraži savremenost bajke Labudovo jezero. Njegovi igrači se suprotstavljaju romantičnoj tradiciji, koja je labuda predstavljala isključivo u ženskoj konotaciji. Geke se oslanja na starije mitove u kojima labud predstavlja muško biće. SHARA-NUR Choreography: Marco Goecke This isn’t the first time that Marco Goecke has dealt with the subject of “Swan Lake”, as he has already choreographed the Black Swan pas de deux and a Waltz from “Swan Lake” to the original music. He owned a vinyl record of the fairy tale as a child and is, thus, very familiar with the music, of course – like many ballet students and dancers. This is also why he has decided to use Tchaikovsky's music for the coming Gauthier Dance premiere. Together with a group of male dancers, he will explore what the ballet dream of Swan Lake might have looked like today. His all-male cast contrasts with the romantic tradition that had female connotations for the swan. Goecke thus draws on older myths in which the swan represents a male being.
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